Play Maya’s mother in ‘Parwarish’ opened a traumatic stories gate: Bakhtawar Mazhar



Bakhtawar Mazhar: It is a name that will be on your lips if you, like so many others, have been dressed in Parwarish, the drama that is highlighting the youngest generation hurts control and independence. Like Sadia, or ‘Maya de Maya’, as has been crowned with love for online spectators, Bakhtawar is a step deleted from this younger generation mentioned above, but that in no way its impact on the program has had a limited impact. The Sadia de Bakhtawar has been winning hearts to the left, right and center, sealing the deal in a viral scene while becoming almost wild protecting her daughter from a father on the path of war. And now, during an appearance in the Rafay Mahmood podcast, the actor remembers how it was impressed after this particular scene spread as a forest fire on social networks. Impact of the scene ‘ESA’ “When that scene went viral, people did not even know my name,” recalled the theater veteran, known for filming critics for his performance in Cannes Film in Flames. “They would simply refer to me as Maya’s mother.” Being purely known as the mother of Aina Asif character made the actor smile, with Bakhtawar adding that the way he entrenched himself in the minds of the program’s fans left his mark. “People began to leave comments on YouTube clips. I was not surprised that people talk about me, what hit me was how they were talking about me and why. ‘Maya de Maya’, the way he defended himself from his daughters, the way he protected them, I was there for them. I liked that.” But the impact of the emotional scene in which ‘Maya’s mother’ physically gets in the path that her husband hit her daughter was much deeper than Bakhtawar could have predicted. “That opened the gates to other things, and it was very emotional,” Bakhtawar shared with amazement. “All that week, I was crying until 2 in the morning after receiving thousands of messages from people who shared their personal stories that were so painful.” An involuntary confidant of the thousands of messages that reach the Bakhtawar entrance tray following their performance, of men and women, boys and girls, they all date back to one thing: the abuse of the parents. “These were things that did not believe they could share with anyone else, even with their close friends,” the actor explained. “In our culture, there is this stigma of never seeing your parents, but they wrote to me. Many told me: ‘Please, Madam, this is not to share, this is only for your eyes, we are sharing because we feel the bond. We have somehow connected with you.” That connection, born of a scene in front of a camera that in turn was conceived in the mind of screenwriter Kiran Siddiqui, led to an invisible current that flowed between Bakhtawar and those who had suffered beatings at the hands of their parents. “Someone wrote and said that when her mother took them, she was also beaten, and pointed out that in the real world, my character [Sadia] I would also have hit me just for defending his son. “However, among the messages, Bakhtawar found more painful, the stories in which the mothers were spectators after seeing their children suffer physical abuse. She didn’t say a word. She didn’t recognize him even the next morning. She simply brushed him under the carpet, ‘” Bakhtawar related. However, in the midst of all the dark stories of childhood trauma, a particular message was highlighted: the story of a mother who took a life lesson when seeing the fictitious Sadia becoming Maya’s protector. And disciplinary together as a husband and wife, or if he should say something, ”recalled Parwarish’s matriarch, while emphasizing the importance of seeing issues through the lens of a child.”[She added]”At this time my daughters are young, but I am very happy to have seen this scene, because now I see how important it is for children in that situation to know that their mother is there for them.” Not only women in a heartbreaking turn, Bakhtawar noticed that they were not just women who had physical abuse in their home in the future. The tsunami of the traumatic personal stories that flood the Bakhtawar entrance tray opened the eyes to the amount of invisible pain that so many are still carried out in society. What could tell you? Bakhtawar’s writer, Kiran, for keeping the core of the story of Parwarish, without adding unnecessary ornaments. There were no layers. She said that it is “. With YouTube comments that host in the” phenomenal “performance of Bakhtawar as” Gaed Goosebumps “, the powerful scene in which ‘May’s Mom’ becomes a Tour de Force has assured a place in the hearts of Parwarish fans, for reasons rooted in more than acting alone.

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