- Star Wars Andor Creator Tony Gilroy has canceled plans to publish the program scripts
- The scripts of the first season will be launched, but ai is the reason why they are not being published
- It is part of a growing trend of the content in which AI models are being trained
The companies of AI will do anything to have materials in their hands to train AI models, just look at what is happening with music transmission services. It is only a matter of time before these companies begin to point to other areas in the entertainment industry, but the creator of one of the best Disney Plus shows is already taking a position against the imminent reign of the AI.
Tony Gilroy, the creator of the Star Wars Spin-off series AndorHe has plugged in his initial plans to publish the scripts of the first season of the program for fear that his work can be used as material to train AI models. In an interview with Collider, Gilroy shared: “I wanted to do it. We put it together. It’s really great. I have seen it, I loved it. AI is the reason why we are not.”
The backward decision is not easy for Gilroy, who announced his plans to launch a website that shows not only Andor’s written elements but also a selection of conceptual art in 2023.
Even so, despite this difficult decision before the imminent liberation of Andor The second season of April 22, it is clear that Gilroy has serious concerns about the threat that AI has in creative people, and I am glad to see that more artists are taking measures to protest against the place of AI in the entertainment industry.
I will say it again, we are witnessing a cultural genocide
For AI, ‘permission’ is a word that ceases to exist. Gilroy is only one of the many worried figures that have actively expressed the need to protect their work in a culture where AI is infiltrating the transmission services daily, mainly for user experience reasons. Even so, films and television programs themselves remain open objectives for AI to steal for training purposes.
While notable figures such as Christopher Nolan have requested stricter restrictions in AI, this is the first time I see the threat of the cause a screenwriter who takes measures like this since the sag hits. But AI has only scratched the surface with movies and television: you get things like all the time with music.
An excellent example is the Silent Protest album, Is this what we want?which was launched in the light of a government proposal of the United Kingdom that allows the companies to use music with copies to train models and algorithms.
Kate Bush artists Annie Lennox joined to compile a silent album of environmental clues of empty creative spaces. Although this will not make the government change their minds on the proposal, it is managing to show what it could mean for the future of the music industry by using transmission gains to raise money for wanetic musical organizations.
Schedules and musicians should be able to share and publish their work without fear to be used to improve AI models. Some of us really like to read the scripts behind our favorite programs.
I have no doubt that the developers of AI will eventually get bored of taking existing scripts and music to improve algorithms and then find a way of infiltrating the creative process completely.
Although a lot of AI music software can already prepare a fast rhythm (thanks, suno), how long will it take before the music albums generated by AI become the mainstream or when the films generated by AI become one thing?
