Netflix’s next great murder thriller of which everyone will be talking about is Adolescence -A four -part program that will be held on March 13, and the great point of sale is that each episode was filmed and will be presented as an uninterrupted shot. It is not a synthetic shot, like 1917where many long shots come together – in fact A whole shot is the promise.
Director Philip Barantini and actor Stephen Graham are shaped in this area, after having done the same for the film Boiling pointAnd while that film used the technique to wrap you in the intensity of the administered chaos of the kitchen of a restaurant, Adolescence He will use it to take a unwavering look at the world of crime with knives and toxic attitudes among adolescents.
It is on the credit of the program that the trailer does not lean in the premise of a single shot, and simply looks completely exciting and convincing.
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The program follows the consequences of a 13 -year -old boy accused of the murder of a girl who goes to her school. He will explore what really happened and why, as well as the consequences between his family and the police detective who leads the case.
The writer Jack Thorne told Deadline “the camera does not blink in this program and by discouraging it allows a certain crudeness and honesty … there are many ways to tell these stories and look at the knife crime, but what we wanted to do is spend is Gasting is spending a lot of time thinking about our relationship with anger and talking about things we fight with as people.
There is the potential for some really interesting cinema to explore, as Thorne explained more to the deadline: “The filmmakers thought that a persecution scene that had written would be seen as a computer game and, instead, I received this call from [Barantini] Who said: “Imagine if the cameras could fly.” So we tied the cameras to a drone that took off the traffic lights and then suddenly you are at the murder scene. Emotionally kicks you in the stomach. “
It seems that each episode will explore a different element of history, which makes sense in terms of not being able to go to the city to explore what someone else is doing.
I am anxious for this: his promise to explore youth violence, anger, modern social pressures and the influence of the ‘light’ on adolescents, could be a really shocking and timely thriller, as well as a hallucinating technical marvel. One of the best Netflix programs this year? We will discover it on March 13, 2025.
