Daisy Edgar-Jones and director Daniel Minihan are explaining the end of In fast horses.
The film ends with three of its main characters being alone. Muriel (Daisy Edgar-Jones) leaves her husband read after realizing that she is rare and moves to her mother’s house, that her husband thought she had sold years ago. In doing so, he also moves away from his neighbor and friend Sandra (Sasha Calle).
“We like to believe that Muriel finally reconnected with Sandra,” Daniel said. “That was a strong bond. But Muriel kept that secret all the time to hold on to his mother’s house, which really means something significant to her.”
“She seems happy (sic) there,” she continued. “His mother was a great influence on her. The first time he really opens to someone is Sandra, when he describes all the things his mother did and what iconoclast character was.”
As for Julius (Jacob Elordi), he carries the horse he gave Muriel and reads and goes at sunset.
The director Daniel says that although fans think that the sunset scene means something deeper, simply indicates that Julius has left to seek the love of his life, Henry (Diego Calva).
“It is interesting that some people interpret it by riding at dawn through the desert in a different way,” he said.
“Our intention was that he will find Henry and meet him again in Las Vegas and probably turn his life again,” he explained.
Edgar-Jones also explained that Muriel’s game gives him financial independence and releases it from compulsions.
“That trip with the game is really interesting,” said Daisy Edgar-Jones. “She is starting to go back or rebel in her calm way with that. He is also doing the same in her love life. [the gambling] It gives them in terms of independence and the freedom to make decisions based on what he wants, not by necessity, is an incredible arch to the one who assumes it. “
