- AMR has presented its elite Luna Ingenii DAC, as part of an official relaunch
- Meanwhile, iFi presents another DAC, this one cheap and portable
- …thus proving that High End Vienna has something for every budget
At first glance, you’d be forgiven for thinking that a big show full of audiophile quality gear would be a little rich for most laypeople’s blood, especially with a name like ‘High End’.
But this is where Vienna’s showrooms, packed with hi-fi equipment, have fallen a little short, at least in part. Because, as I’m about to show you, it’s not all sound systems for selling the car and remortgaging the house. No, while these products will certainly make their way to the party, some hi-res audio upgrades will set you back as little as $85/£85 (or around AU$120).
But before we get to the budget, let’s go big, shall we? Elite UK audio outfit AMR (Abbingdon Music Research) has unveiled its Luna Series to mark the brand’s official relaunch into High End, with the company calling it its “most ambitious expression of ultra-luxury British audio design to date.”
AMR says the range has been developed over more than seven years, in collaboration with leading engineer John Curl, and comprises the Luna Ingenii DAC, Luna Medii preamplifier and Luna Procellarum monoblock power amplifier, all “created without conventional cost constraints”. Come on!
Think ultra-premium components, meticulous hand assembly, and a multi-bit DAC engine, called the AMR Luna Ingenii. The highlight for me is its unique 128-stage ‘Stonehenge’ Direct DSD engine. What’s that? Well, AMR tells me that standard DSD implementations use a single chip and fewer than 10 components. The Stonehenge engine uses 32 chips and more than 300 components, in a discrete 128-stage architecture that the company says has “no commercial equivalent.”
You also get AMR’s patented ‘zero gravity harmonic weighting’, an industry-exclusive benefit that promises the user control over the fine-tuning and tonal character of their digital playback.
Each unit is apparently meticulously assembled, matched, and calibrated by hand by experienced technicians, and production is limited by craftsmanship (rather than manufacturing capacity). And because of this, only 176 Luna Ingenii DACs are being manufactured, and AMR is committed to providing lifetime service and support for every owner.
Pricing is “available upon request to potential customers, reviewers, and industry partners” only, which I think we all agree means that if we have to ask, we can’t afford it. Could it even exceed the starting price of the most expensive DAC I’ve heard to date, the $4,499 (before tax)/£4,499 (around AU$8,997) iFi iDSD Phantom? Whisper it, but it seems likely…
And now, the pocket option for those who lack very deep pockets.
At the other end of the scale, British audio brand iFi revealed its iFi Go Link 2 Max DAC at the show. It’s advertised as “smaller, sharper and stronger” than the model it replaces, the five-star Go Link Max (not to be confused with the iFi Go Link 2, which also earned five stars under intense review recently).
What has changed? The Go Link 2 Max features significantly lower distortion than the model it replaces, plus selectable digital filters and over-the-air updates via the iFi Nexis app, all in a smaller and lighter form factor than its previous generation. I have the original Max and I love the way it enhances the level of music on my phone, so I’d love to try this one out.
And with the best wired headphones enjoying a vinyl-style comeback (iFi tells me searches for wired headphones are up 88%), I think the Go Link 2 Max could be the relatively affordable upgrade that Gen Zers could, ahem, choose.
Add to all this its humble price, at just $85/£85 (or around AU$120), the Go Link 2 Max could be my top-of-the-range pick in Vienna. That being said, if anyone wants to buy me the AMR Luna series so I can listen to it, I’m very open to that too.
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